Sutherland and Connery wish to rob a moving train's safe in Victorian England. They need wax impressions of keys, coffins, dead cats, and a great deal of planning in order to pull it off.
While taking a holiday in the country with his mother, Dennis hits on a scheme to impress a girl so that she'll go away on a trip with him as his girlfriend. Although he fails to gain any interest from the girl, the police take a great interest in his story. From this point on, Dennis digs a deeper hole for himself at every turn.
Based on the true story of Joseph Merrick, a 19th-century Englishman afflicted with a disfiguring congenital disease. With the help of kindly Dr. Frederick Treves, Merrick attempts to regain the dignity he lost after years spent as a side-show freak.
London. The 60s. Two unemployed actors-acerbic, elegantly wasted Withnail (Richard E. Grant) and the anxiety-ridden "I" (Paul McGann)-drown their frustrations in booze, pills, and lighter fluid. When Withnail's Uncle Monty (Richard Griffiths) offers his cottage, they escape the squalor of their flat for a week in the country. They soon realize they've gone on holiday by mistake when their wits-and friendship-are sorely tested by violent downpours, less-than-hospitable locals, and empty cupboards. An intelligent, superbly acted, and hilarious film, The Criterion Collection is proud to present Bruce Robinson's semi-autobiographical cult favorit...
A European police detective living in Cairo undergoes hypnosis therapy to deal with headaches caused by his last case. He recounts spending two months in a dystopian Europe investigating the serial killings of young girls who sell lottery tickets. While the current police force there employ clumsy methods, he continues to use the controversial theoretical methods of his now disgraced former mentor. He becomes obsessed with a suspect from previous similar killings, and using an old surveillance report retraces the steps of that suspect. As the journey progresses, the differences between the cop and the serial killer become blurred.
Director Franc Roddam has brought us an array of young British acting talents who bring back London's nineteen-sixties Mods and Rockers. Set against the soundtrack of The Who's 1973 mighty concept album "Quadrophenia", Phil Daniels plays working-class Jimmy, the drug-induced Mod, who hates his job and is misunderstood by his parents. But by night, he comes alive, with the all-nighters, his pills and his scooter-riding friends. Always on a high, life can't get any better. Then there's the Brighton scooter run, where both Mods and Rockers converge, ending in the battle of the cults on Brighton Beach. What goes up must come down, and with Jimmy'...
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