Black comedy about a blind man, Martin, who takes photographs as "proof" that the world really is as others describe it to him. The film explores his antagonistic relationships with Celia, who cleans and cooks for him and habitually rearranges the furniture in the house, and with Andy, a mate he thinks he can trust.
Tim, in his early 20s, is quiet, dependable, and held close by his mother, Jean, who works long hours at a Sydney canteen and then does stand-up at night, talking constantly about what might have been (if she'd stayed in England, if she'd had no children, if her younger son Mark weren't mildly disabled). She gets enough club work to keep hope alive. They've bought a moving van, and Tim meets Jill, falling for her but finding the challenges of sex, his mother's prying, and his brother's needs more than he can handle. The family - as well as Tim and Jill's relationship - is on the edge of crisis, accident, or, in Jane's case, self-destruction. ...
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